Monica struggles with Da Boss over lack of coverage in a key sequence.
Abigail gets violent and bloody very often.
Alex Garland’s Civil War is incoherent, stupid, self-serious, and worst of all, boring.
Civil War might be a box office success because it appeals to all political ideologies.
Alex Garland's latest is a reflection of a reflection, a simulacra, the product of a media-poisoned brain.
Revisiting Wes Anderson’s fourth film in the same theater I saw it in on opening day in 2004.
The first Best Picture nominee directed by a woman has a mixed legacy.
Anyone who doesn’t think his first movie in 20 years won’t be a huge hit is out of their fucking mind.
Would this movie be possible without the example of the Coen brothers? Probably not. But Shane Atkinson had the sense to steal from the best.
A belated appreciation of Brian Raftery’s excellent movie book BEST. MOVIE. YEAR. EVER.
The greatest American actress of the 2000s.
John Ford could never flourish today because his industry of filmmaking is as dead and buried as he is, replaced by faceless and tasteless corporate conglomerates.
While Capote vs. The Swans gets a prime time slot the real feud remains untouched.
Darkness, quakes, and The Beast.
The reflection of Chantal Akerman in Andrew Bujalski's filmmaking.
The Tragedy and Triumph of Porco Rosso.
Boredom under the ice.
Why the mushroom sketch?
Whether Sony, Disney, Fox, or Warner, it’s getting grim—and not in the cool way.
Exploring the world of Holly Golightly’s private neighborhood.
Winter Kills 35mm print comes to Baltimore, a decent movie elevated, like all, by film projection.
Tom Dewe Mathews interviews David Cronenberg, followed by a panel including Mathews, Sheila Whitaker, Alexander Walker, and Christopher Tookey.
The Dutch director and cinematographer talks about his iconic debut with Bobbie Wygant.
The 1980s icon grabs and gabs about Céline and Julie Go Boating, A Face in the Crowd, Dietrich and Von Sternberg, and more.
The late director on his hair-raising 1977 masterpiece, a failure in its time.
The writer/director and his co-star talk about their film in the early 1980s.
A career spanning interview with the director around the release of his film In the Mouth of Madness.
The actress delivers this report for Italian television from the Manhattan set of the Marco Ferreri film.
The actress talks about her collaboration with Ken Russell in this brief interview with Mariella Frostrup from the U.K.
The actor talks about Being John Malkovich, Rounders, Dangerous Liaisons, Burn After Reading, and more.